5.25.2012

The Medieval Origins of Satan in Literature & Art: Part 3


Before the Barbarian invasions, there were no recorded visions of Hell such as those described by Pope Gregory the Great, Gregory of Tours, and Bede. These three writers were widely read at the time and worked to establish and develop the content and legitimacy of visions of Hell, demons, and Satan. All of the recorded visions were believed to be truthful and authentic, and most came from cultures that were once considered to be far away or inaccessible. To a degree, many of the creatures from other religious traditions such as ogres, trolls, goblins, fairies, pixies, giants, and so forth, were integrated into Christianity. In these visions, myths, and other narratives, they became Christian demons.

Another aspect of Medieval culture which helped shape perceptions of Hell and Satan was the construct of government. When one thinks of the Roman Empire, cities, trade routes, shipping, coinage, a centralized army, and international economy might come to mind. One also probably thinks of feudalism. Feudalism, while difficult to describe and even harder to define, was a sort of decentralized government that was administered by local lords of large areas of farmland and forest. Taxes, legal problems, religious appointments, and all the minutiae of daily life were governed by lords under an “artificial kingship structure.” At its center was the lord, the leader to which all under swore faithfulness, and where great noble families lived in huge castles fortified with knights or vassals. There were then larger numbers of serfs who performed agricultural and other manual labor duties in return for the right to earn a living on the land. Monasteries were also structured in a hierarchical fashion. The abbot played the part of the lord, friars were like vassals, and lay brothers like serfs. Just as the abbot of the monastery owed greater fealty to the pope, the lord might owe formal homage to a king.

Hell also operates in this feudalistic and hierarchical manner. In many artistic representations of the underworld, Satan is shown either above or below his army of demons. In some instances, he is the towering figure above all the lesser devils who are collecting souls for him. He waits, perched above all others, for the demons to bring him sinners. At other times, Satan is pictured as the “Hell Mouth” at the bottom of the flames or river. The demons capture the souls that then flow downstream into the mouth of the Devil who waits to devour the sinners. In Faustian bargain stories, which began long before Marlow and can be dated as early as the fifth century, it is a fealty that the Devil demands. Satan requires a pledge from Faust in return for honor, power, fortune, wealth, and all things that the Christian asks for from God or the saints.

The great sin of feudalism was betrayal -- just like the great sin of Satan was the betrayal of faith or fealty to God. Keeping faith not only to the lord, but to the tenets of religion, was imperative to an extremely conservative system rigorously preserved by the collusion of the Church and the local state. The lowest circle in Dante’s Inferno is reserved for the faithless, and, apart from Satan himself, the lowest of the faithless low is Judas, who betrayed his honor and his own Lord.

Stay Tuned for The Medieval Origins of Satan in Literature & Art: Part 4